Appendices4 min read

The Advance Checklist, Each Side

What the musician confirms, and what the owner confirms, in the days before the show.

Chapter Seventeen covered the advance — the pre-show confirmation, a few days out, that turns a booking into a plan. This appendix lays it out as a two-column checklist so each side can run its own list and make sure the other side’s matches. A fillable, check-it-off companion accompanies this appendix.

💬 WHY THE ADVANCE SAVES THE SHOW

The advance is where most night-of disasters get quietly prevented. A few days out, both sides walk the same list from their own angle, and the mismatches — a set time that drifted, a backline that isn’t actually there, a settlement nobody pulled cash for — surface while there’s still time to fix them. Run your side of this list every time, and confirm the other side has run theirs. The five minutes it takes saves the show.

The Musician Confirms

The Owner Confirms

Schedule. Set times, set length, and curfew confirmed.

Schedule. The act’s set times, length, and curfew locked.

Address & Access. Venue address, the load-in door, and parking.

Address & Access. Load-in access and parking ready for the act.

The Money. Fee and structure confirmed; settlement method and time clear; deposit received if any.

The Money. Deal terms confirmed; settlement cash or check ready for the night.

Sound. Is the PA and an engineer provided — and what do I bring?

Sound. PA and sound engineer scheduled.

Backline. What the room provides versus what I haul in.

Backline. The backline the room is providing is confirmed and working.

Stage Plot. Stage plot and input list sent ahead.

Stage Plot. Stage plot and input list received from the act.

Hospitality. Green room, drinks, and meals confirmed (the rider).

Hospitality. Hospitality ready per the rider (Appendix D).

Lodging. Lodging confirmed, if it was promised.

Lodging. Lodging arranged, if it was promised.

Merch. Table, who sells, any venue cut, and the sales tax (Appendix G).

Merch. Merch space set; the cut and sales-tax handling are clear.

Promotion & Billing. The show is advertised, billing is right, and assets are sent.

Promotion & Billing. Promo done — listings, socials, posters — and billing is correct.

Guest List. My guest list sent; my comp count known.

Guest List. The act’s guest list received; comps set at the door.

Day-Of Contact. I have the venue’s day-of cell number.

Day-Of Contact. I have the act’s day-of cell number.

Cushion. Travel time planned with a cushion to arrive unhurried.

Staffing. Door, bar, and security staff scheduled.

Getting Paid. Anything I must provide to get paid (a W-9?) is handled.

Compliance. PRO/licensing covered (Chapter Thirty); TABC, age, and security covered.

Topics are aligned across the two columns on purpose: when both sides have checked the same line, the show is advanced. Anything left blank is a question to ask before the day of.

COMPANION TO APPENDIX C

The Advance — Check-It-Off List

Run your side before every show. Confirm the other side has run theirs.

THE MUSICIAN’S ADVANCE

Schedule. Set times, set length, and curfew confirmed.

Address & Access. Venue address, the load-in door, and parking.

The Money. Fee and structure confirmed; settlement method and time clear; deposit received if any.

Sound. Is the PA and an engineer provided — and what do I bring?

Backline. What the room provides versus what I haul in.

Stage Plot. Stage plot and input list sent ahead.

Hospitality. Green room, drinks, and meals confirmed (the rider).

Lodging. Lodging confirmed, if it was promised.

Merch. Table, who sells, any venue cut, and the sales tax (Appendix G).

Promotion & Billing. The show is advertised, billing is right, and assets are sent.

Guest List. My guest list sent; my comp count known.

Day-Of Contact. I have the venue’s day-of cell number.

Cushion. Travel time planned with a cushion to arrive unhurried.

Getting Paid. Anything I must provide to get paid (a W-9?) is handled.

THE OWNER’S ADVANCE

Schedule. The act’s set times, length, and curfew locked.

Address & Access. Load-in access and parking ready for the act.

The Money. Deal terms confirmed; settlement cash or check ready for the night.

Sound. PA and sound engineer scheduled.

Backline. The backline the room is providing is confirmed and working.

Stage Plot. Stage plot and input list received from the act.

Hospitality. Hospitality ready per the rider (Appendix D).

Lodging. Lodging arranged, if it was promised.

Merch. Merch space set; the cut and sales-tax handling are clear.

Promotion & Billing. Promo done — listings, socials, posters — and billing is correct.

Guest List. The act’s guest list received; comps set at the door.

Day-Of Contact. I have the act’s day-of cell number.

Staffing. Door, bar, and security staff scheduled.

Compliance. PRO/licensing covered (Chapter Thirty); TABC, age, and security covered.

Put this chapter to work

Continue the lesson with connected resources

The chapter explains the principle. These resources help you practice it, document it, calculate it or train it in the room.

Use the resource that matches the decision in front of you. A tool supports judgment; it does not replace current law, venue policy, qualified professional advice or the person responsible for the operation.